Other aspects illustrate the considerable standing of the Cubist galaxy.

Thanks to outstanding loans from the Basel Kunstmuseum, the Musée National Picasso and the New York Museum of Modern Art, Cubism's most revolutionary side – the glued papers, collages and constructions invented by Braque, Picasso, Gris and Henri Laurens –, is magnificently represented by major icons of 20th century art, like Picasso's Nature morte à la chaise cannée (1912) and his Guitare en tôle et fils de fer (1914). It also reflects the movement's formal journey from its initial Cézannian period – illustrated here by Picasso's extraordinary still life Pains et compotier sur une table (1909) – to a hermetic, analytical stage (1910-1912), before evolving towards a more synthetic version (1913-1917) with a return to representation and colour. The exhibition circuit highlights Cubism's momentous, multi-faceted development, going back to its primitivist sources and the Cubists' fascination with Gauguin and Cézanne. Various masterpieces stand out, like Picasso's Portrait de Gertrude Stein (1906), Ambroise Vollard (1909) and Daniel-Henry Kahnweiler (1910) as well as groups of paintings and sculptures never yet seen together. Not only did it introduce a geometric approach to forms and challenge classical representation, but its radical explorations and the creative drive of its members also paved the way to modern art.Ĭontaining 300 works and documents illustrating the influence of Cubism, the exhibition is presented chronologically in fourteen sections.

The exhibition highlights the rich inventiveness and wide variety of the movement. These pioneers, soon followed by Fernand Léger and Juan Gris, reserved their ground-breaking experimental work for a small-scale gallery run by a young unknown dealer, Daniel-Henry Kahnweiler, while artists like Albert Gleizes, Jean Metzinger, Francis Picabia, Marcel Duchamp, Robert and Sonia Delaunay brought the movement to the attention of critics and the public through their contributions to the Paris Salons.

The first exhibition devoted to Cubism in France since 1953, the project's originality lies in its unusual stance, broadening a standpoint usually focused on its two inventors, Georges Braque and Pablo Picasso, to other artists. The Centre Pompidou takes a fresh look at one of modern art history's founding movements, Cubism (1907-1917), through a comprehensive overview.

Cubism art for kids